Amy
lives out in the country, way out in the country, and deeply regrets not
habitually carrying a camera. Without photographic evidence, no one will
believe she nearly ran over a 20 lb barracuda lying in the middle of her road;
saw a hot-air balloon land in her front yard; and found a dairy cow
thoughtfully trimming the grass at her mailbox. She wishes she’d also had a
rope when she came across the cow because she could have used the cow poo for
her Old Garden roses, which currently
number well over 100.
Her
wildlife biologist husband, a chocolate lab, a Chesapeake Bay Retriever, and
two cats enjoy the temperate climate on thirty acres near the coast of North Carolina .
Anne
– It’s a joy to chat with you, Amy. When did you first realize you were
destined to be a mystery/suspense writer?
Amy
-I realized I was destined to be a mystery writer when I discovered that I
could not complete a book without killing a character off. It’s a compulsion. Sometimes
I worry there must be something terribly wrong with me. But then I write
another book and that strange feeling goes away.
Anne
– I have the same
compulsion, and would never trade it for the world! ;-) Tell us about A Rose Before Dying.
Amy
- Only
Sir Edward had the motive, the opportunity, and a garden full of the identical
roses sent to each victim before their death.
The
first victim was Sir Edward’s ex-mistress, a woman who threw him over for a
younger man. After receiving a mysterious rose, she dies while alone with Sir
Edward. Then a second rose is delivered and a deadly game commences, where
roses are the only clues to save the next victim.
However,
Charles Vance, Earl of Castlemoor, refuses to believe his uncle, Sir Edward,
could commit the murders, even when the renowned head of the Second Sons
Inquiry Agency warns him there may be some truth behind the rumors. "The
roses are Sir Edward’s attempt to cast suspicion elsewhere."
"Misdirection." Or so the whispers say.
Convinced
he can prove his uncle’s innocence, Vance enlists the aide of notable rosarian,
Ariadne Wellfleet, little realizing his actions will involve the Wellfleet
household in the killer’s game.
Before
the week is out, another rose is delivered.
And
someone else is missing.
Anne
– I understand you also have another recent release. A novella?
Amy
– Yes! It’s a historical mystery novella released just in time for the holidays.
It’s titled Christmas Spirit.
Anne
– Wonderful! It’s on my TBR list. Now, back to A Rose Before Dying. Is it part
of a series? If so, include other titles. What do you enjoy most about writing
a series? What part do you loathe?
Amy
- A Rose Before Dying is part of a series of books with characters who either
work for the Second Sons Inquiry Agency or seek help from an inquiry agent
there. The first book in the series, The Vital Principle, introduced the
founder of the inquiry agency, Knighton Gaunt. I’m working on another one right
now that I hope will be released next spring.
Anne
- What do you enjoy most about writing a series? What part do you loathe?
Amy
- I love writing series because it’s like working with old friends. I’ve
learned something about the characters in the first books, but as the series
grows, you always seem to learn something new or unexpected about the
characters, just like you do with real people. The process fascinates me.
The
only difficult part about a series is keeping track of time and character
traits, particularly secondary characters. There is a lot to keep straight and
sometimes that gives me a headache.
Anne
– I know what you mean about keeping track of things. I have a problem
remembering stuff in my personal life, so keeping fictional info straight is a
real problem. I’ve found an Excel spreadsheet helps…as long as I remember where
I filed it!
Would
you share an excerpt of A Rose Before Dying with us?
Amy
– Of course!
“Is
this our only clue, then?” Charles arranged the two calling cards in front of
him before gently rewrapping the spray of yellow flowers. “Did anyone see the
flowers delivered?”
“No.
The butler found the first bundle on the stoop when he opened the door for Lady
Banks and Sir Edward to attend church services. They assumed I’d left it there
as a surprise when I arrived.”
“Surely
the accident didn’t occur on your way to church?” Charles asked, appalled.
“No—no.
We went for a walk. Later. In the garden,” Sir Edward said. “There was a shot.
She fell into my arms….”
After
a moment of silence, Gaunt picked up the threads of the story to spare Sir
Edward. “The second note and rose were left at the French doors leading to the
garden.”
“Inside
the house?”
“No.
Outside,” his uncle said.
“And
no one saw anyone?” Charles asked. How was that possible?
“No.
No one but me. The servants said no one but me had visited or been in the
garden. The constable did his best. He questioned several of the lads—known
poachers—but they all had witnesses to verify their whereabouts at the time.
Then he had to look elsewhere. By then, the whispers had started. I was alone
in the garden with her. They said I did it. I was the only one there.”
Charles
touched his uncle’s shoulder. “Nonsense. Obviously, someone else had been
there. Had she argued with anyone?”
“No!”
The single word exploded from his uncle’s white lips. “No. She argued with no
one. This was—inexplicable. Inexcusable. She was an innocent victim. I—I
believe it was aimed at me. The taunting flowers—what other reason could there
be for those bloody roses?” His voice rasped with barely suppressed emotion.
“He killed her—so they weren’t meant for her. The flowers were a message to
me.”
“Why?”
Charles glanced away from the pain in his uncle’s face, trying to drag the
conversation into less terrible channels. “Who would hate you so much? Who do
you suspect?”
Sir
Edward took a deep, shuddering breath and then straightened. He shrugged. “No
one. I can’t imagine who would hate me so. Or treat Lady Banks with such
callous contempt. It’s beyond comprehension.”
The
thought of shooting a woman for the purpose of bringing pain and suffering to
another man was difficult for anyone to accept.
It
took Charles a few moments to convince himself it was possible for a man to be
that cold, that malicious. “Have you any other information? Perhaps a list of
those who bear you malice?”
His
uncle shook his head, his gaze fixed on the floor.
Charles
glanced at Mr. Gaunt. He wanted to question him to see what the man might have
to offer in his professional capacity. Surely he had some relevant experience.
Something that might bring light to the awful events.
“Please,
Lord Castlemoor. Hoopes was right, after all. I should have gone to you,
first.” His uncle interrupted the silence in a rush as if he could no longer
bear the company of his own thoughts. “Whatever scandal is flushed out is best
kept within the family. You must see that.”
Scandal?
Charles’s gut clenched. What skeletons did his uncle know about, that might
creep out of the family’s closet?
Certainly,
none that he wanted Gaunt to chat with.
Anne
–Thank you! Of all the characters you’ve created, does one hold a special place
in your heart? Why?
Amy
- Sarah Sanderson from The Bricklayer’s Helper never fails to make me laugh.
Unlike me, she’s fearless and pretty much says the first thing that pops into
her mouth. You definitely don’t want to ask her questions which you don’t want
answered, truthfully.
Anne
– She sounds like my kind of person! What is the most surprising thing you’ve
learned about yourself from writing?
Amy
- That I have an imagination. I know it sounds weird for a writer, but I always
thought of myself as a ordinary person, completely lacking in imagination.
Turns out, I was wrong.
Anne
– Tell us about the defining moment when you felt as if you’d finally made it
as an author.
Amy
- I’ll tell you when it happens. LOL.
Anne
- Any words of advice for struggling, unpublished writers?
Amy
- Keep writing no matter what. You will find your audience if you keep writing
and honing your skills. And remember to be humble: no one’s writing is perfect.
Be prepared to edit the heck out of it and even delete what may seem to be the
best parts. But while you’re being humble, don’t forget to be proud of your
work. It’s a huge accomplishment when you finally get to type, “The End.”
Anne
– Where can readers reach you online?
Amy
– At my website http://www.amycorwin.com
On Facebook: http://www.facebook.com/AmyCorwinAuthor
Twitter: http://twitter.com/amycorwinBlog: http://amycorwin.blogspot.com
myspace: http://www.myspace.com/amycorwin
Amazon Author Central: http://www.amazon.com/-/e/B002BLY7MI
Anne
– Thank you so much for visiting my little corner of cyberspace, Amy. It's always a pleasure to meet someone
who shares my need to kill off a character! ;-) Happy writing.
As
always your comments are welcome and appreciated. Happy reading!
* *
*



9 comments:
Thank you so much for the interview! I had a blast and I hope readers enjoy it, too.
Happy Reading!
Amy Corwin
I'm sure they will, Amy! Thanks for being my guest today. :)
Great interview Amy.
So sad all my roses are hibernating for the winter. Or most of them. There are a few stragglers putting out blooms.
Great interview. Only writers can kill off people and not get in trouble for it. ;)
I have to agree, Beth. I felt so comfortable chatting with Amy!
Funny you should say that, Kelly! But it's so true. Even better, we never run out of places to hide them!
We're lucky here in North Carolina--I still have roses blooming and it's almost Thanksgiving!
I remember when I went to university in Aberdeen, Scotland, that there were roses, there, blooming in November, too. Coastal areas are always so lucky with gardening since the ocean helps moderate the temperature and lets us enjoy our flowers much longer!
Thanks to everyone for your comments!
Thanks for the 'chat' ladies! I am fascinated by mystery writers like yourselves and your ability to write a genre like this. Murder mysteries seem so very complex to me. I can never ever work out who the bad guy is in a book or a movie, so I'm in awe of writers of this genre.
Best of luck with all your writing endeavours.
Hi Nicola, part of the fun of writing for me is finding out what happens next. I often don't know from sentence to sentence what is going on. Talk about a mystery!
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